Model for a room unit, 2022
Model for a room unit, 2022

Cardboard, acrylic paint, watercolors, 12x10 ½x8 ½ inches

Model for a room unit, another view
Model for a room unit, another view
Model for a room unit (black&white), 2022
Model for a room unit (black&white), 2022

Cardboard, acrylic paint, graphite powder, watercolors, 11×13×8 ½

Model for a room unit (black&white), back side
Model for a room unit (black&white), back side
Studio view, 2022
Studio view, 2022

Various models of rooms and furniture installed on tables

Model for a Room (no. 5), 2022
Model for a Room (no. 5), 2022

cardboard, acrylic paint, watercolors

Model for a Room (no. 5), another view
Model for a Room (no. 5), another view
Model for a Room (no. 5), another view
Model for a Room (no. 5), another view
Molding no.1 (Sapele and Heartwood), 2019
Molding no.1 (Sapele and Heartwood), 2019

Birch plywood, wood veneers, 40x33 inches splits to 8 pieces

Molding no.2 (Sapele and Heartwood), 2019
Molding no.2 (Sapele and Heartwood), 2019

Birch plywood, wood veneers, 40x33 inches splits to 8 pieces

Molding no.3 (Moiré), 2019
Molding no.3 (Moiré), 2019

Birch plywood, polyester batting, silk fabric, 40x33 inches total split to 12 pieces

Molding no.3 (Moiré)
Molding no.3 (Moiré)

side view

Moldings no.4 (Terrazzo), 2019
Moldings no.4 (Terrazzo), 2019

Birch plywood, watercolors and pencil on cotton paper, 40x33 inches total split to 8 pieces

Moldings no.4 (Terrazzo), detail
Moldings no.4 (Terrazzo), detail
Installation view of Dressing the Wall, 2019
Installation view of Dressing the Wall, 2019

Group exhibition with Noa Glazer, Ofra Lapid & Noa Schwartz-Lev Har, curated By Fiona Biberstein, Projects I At Fifteen, Tel Aviv.

Study for Moldings, 2019
Study for Moldings, 2019

Watercolors and pencil on cotton paper mounted on plywood, birch plywood, 12×10 inches

Study for Moldings, 2019
Study for Moldings, 2019

wood veneer mounted on plywood, birch plywood, 12×10 inches

Shelf, 2017
Shelf, 2017

Inkjet prints mounted on plywood, 30×30 inches

Mirror, 2017
Mirror, 2017

Inkjet prints mounted on plywood

Table (half and half), 2017
Table (half and half), 2017

Inkjet print mounted on plywood, 31×30×30 inches

Table (half and half), another view
Table (half and half), another view
Crosswords, solo exhibition at Hercules Gallery, NYC, 2017
Crosswords, solo exhibition at Hercules Gallery, NYC, 2017

Installation view

Crosswords, installation view
Crosswords, installation view
Folding Screen #1, 2017
Folding Screen #1, 2017

Inkjet prints mounted on plywood, 5 panels size 80’’x23.5’’x1.75’’ each

If There Was a Window, It Would Have Let the Light In, 2017; Crossword no.3 (For my father)
If There Was a Window, It Would Have Let the Light In, 2017; Crossword no.3 (For my father)

site specific for Hercules Gallery, 36’’ x 3/4’’ x 1/2’’ each slab; wood, acrylic paint; inkjet print on archival paper framed, 14’’x19’’

Bread Sculpture, 2017
Bread Sculpture, 2017

Inkjet prints mounted on cardboard, birch plywood

Model for Interior no.13 (Lina Loos’s bedroom), 2015
Model for Interior no.13 (Lina Loos’s bedroom), 2015

Inkjet print mounted on museum board, MDF, oak wood, 38x21x14 inches

detail of Model for Interior no.13 (Lina Loos’s bedroom)
detail of Model for Interior no.13 (Lina Loos’s bedroom)
Wall Relief no.1 (Installation view at Hunter MFA Thesis show, NYC), 2015
Wall Relief no.1 (Installation view at Hunter MFA Thesis show, NYC), 2015

MDF mounted with inkjet prints, framed archival inkjet prints, 10x6.6 feet

Wall Relief no.1
Wall Relief no.1

side view

Interior no.33 (After Loos), 2015
Interior no.33 (After Loos), 2015

Inkjet print on archival paper, variable dimensions

Interior no.13 (After Lina Loos’s bedroom), 2015
Interior no.13 (After Lina Loos’s bedroom), 2015

Inkjet print on archival paper, variable dimensions

Interior no.5 (shades), 2013
Interior no.5 (shades), 2013

Inkjet print on archival paper, variable dimensions

Interior no.10 (Utica train station), 2015
Interior no.10 (Utica train station), 2015

Inkjet print on archival paper, variable dimensions

Interior no.44 (WW Hallway), 2016
Interior no.44 (WW Hallway), 2016

Inkjet print on archival paper, variable dimensions

Untitled (detail from 30 Park Place, NYC), 2016
Untitled (detail from 30 Park Place, NYC), 2016

Museum board, MDF; 49x9x4.5 inches

Wall Relief no.2, 2016
Wall Relief no.2, 2016

Installation view at Hercules Gallery, NYC

plywood, acrylic paint, various dimensions, 19x19x5 inches each square

Wall Relief no.3, 2017
Wall Relief no.3, 2017

19 plywood panels painted white, 24x24inches each, 6 x 16 feet total.
Permanently installed at the Waldorf Astoria Hotel Beverly Hills, Los Angeles, CA.

No Title series, 2012
No Title series, 2012

Installation view of Search Engine, group exhibition at CCA, Tel Aviv, curated by Sergio Edelsztein and Hila Cohen-Schniederman. Series of 8 inkjet prints on archival paper frames, various sizes

Broken Houses
Broken Houses

Series of 56 inkjet prints. Installation view at Fresh Paint Contemporary Art Fair, Tel Aviv, 2011.

House No. 17 from the series Broken Houses
House No. 17 from the series Broken Houses

Inkjet prints on archival paper
15.7 x 18.1 inches/40cm x 46cm

House No. 52 from the series Broken Houses
House No. 52 from the series Broken Houses

Inkjet print on archival paper, 15.7 x 18.1 inches/40cm x 46cm

Model for a room unit, 2022
Model for a room unit, another view
Model for a room unit (black&white), 2022
Model for a room unit (black&white), back side
Studio view, 2022
Model for a Room (no. 5), 2022
Model for a Room (no. 5), another view
Model for a Room (no. 5), another view
Molding no.1 (Sapele and Heartwood), 2019
Molding no.2 (Sapele and Heartwood), 2019
Molding no.3 (Moiré), 2019
Molding no.3 (Moiré)
Moldings no.4 (Terrazzo), 2019
Moldings no.4 (Terrazzo), detail
Installation view of Dressing the Wall, 2019
Study for Moldings, 2019
Study for Moldings, 2019
Shelf, 2017
Mirror, 2017
Table (half and half), 2017
Table (half and half), another view
Crosswords, solo exhibition at Hercules Gallery, NYC, 2017
Crosswords, installation view
Folding Screen #1, 2017
If There Was a Window, It Would Have Let the Light In, 2017; Crossword no.3 (For my father)
Bread Sculpture, 2017
Model for Interior no.13 (Lina Loos’s bedroom), 2015
detail of Model for Interior no.13 (Lina Loos’s bedroom)
Wall Relief no.1 (Installation view at Hunter MFA Thesis show, NYC), 2015
Wall Relief no.1
Interior no.33 (After Loos), 2015
Interior no.13 (After Lina Loos’s bedroom), 2015
Interior no.5 (shades), 2013
Interior no.10 (Utica train station), 2015
Interior no.44 (WW Hallway), 2016
Untitled (detail from 30 Park Place, NYC), 2016
Wall Relief no.2, 2016
Wall Relief no.3, 2017
No Title series, 2012
Broken Houses
House No. 17 from the series Broken Houses
House No. 52 from the series Broken Houses
Model for a room unit, 2022

Cardboard, acrylic paint, watercolors, 12x10 ½x8 ½ inches

Model for a room unit, another view
Model for a room unit (black&white), 2022

Cardboard, acrylic paint, graphite powder, watercolors, 11×13×8 ½

Model for a room unit (black&white), back side
Studio view, 2022

Various models of rooms and furniture installed on tables

Model for a Room (no. 5), 2022

cardboard, acrylic paint, watercolors

Model for a Room (no. 5), another view
Model for a Room (no. 5), another view
Molding no.1 (Sapele and Heartwood), 2019

Birch plywood, wood veneers, 40x33 inches splits to 8 pieces

Molding no.2 (Sapele and Heartwood), 2019

Birch plywood, wood veneers, 40x33 inches splits to 8 pieces

Molding no.3 (Moiré), 2019

Birch plywood, polyester batting, silk fabric, 40x33 inches total split to 12 pieces

Molding no.3 (Moiré)

side view

Moldings no.4 (Terrazzo), 2019

Birch plywood, watercolors and pencil on cotton paper, 40x33 inches total split to 8 pieces

Moldings no.4 (Terrazzo), detail
Installation view of Dressing the Wall, 2019

Group exhibition with Noa Glazer, Ofra Lapid & Noa Schwartz-Lev Har, curated By Fiona Biberstein, Projects I At Fifteen, Tel Aviv.

Study for Moldings, 2019

Watercolors and pencil on cotton paper mounted on plywood, birch plywood, 12×10 inches

Study for Moldings, 2019

wood veneer mounted on plywood, birch plywood, 12×10 inches

Shelf, 2017

Inkjet prints mounted on plywood, 30×30 inches

Mirror, 2017

Inkjet prints mounted on plywood

Table (half and half), 2017

Inkjet print mounted on plywood, 31×30×30 inches

Table (half and half), another view
Crosswords, solo exhibition at Hercules Gallery, NYC, 2017

Installation view

Crosswords, installation view
Folding Screen #1, 2017

Inkjet prints mounted on plywood, 5 panels size 80’’x23.5’’x1.75’’ each

If There Was a Window, It Would Have Let the Light In, 2017; Crossword no.3 (For my father)

site specific for Hercules Gallery, 36’’ x 3/4’’ x 1/2’’ each slab; wood, acrylic paint; inkjet print on archival paper framed, 14’’x19’’

Bread Sculpture, 2017

Inkjet prints mounted on cardboard, birch plywood

Model for Interior no.13 (Lina Loos’s bedroom), 2015

Inkjet print mounted on museum board, MDF, oak wood, 38x21x14 inches

detail of Model for Interior no.13 (Lina Loos’s bedroom)
Wall Relief no.1 (Installation view at Hunter MFA Thesis show, NYC), 2015

MDF mounted with inkjet prints, framed archival inkjet prints, 10x6.6 feet

Wall Relief no.1

side view

Interior no.33 (After Loos), 2015

Inkjet print on archival paper, variable dimensions

Interior no.13 (After Lina Loos’s bedroom), 2015

Inkjet print on archival paper, variable dimensions

Interior no.5 (shades), 2013

Inkjet print on archival paper, variable dimensions

Interior no.10 (Utica train station), 2015

Inkjet print on archival paper, variable dimensions

Interior no.44 (WW Hallway), 2016

Inkjet print on archival paper, variable dimensions

Untitled (detail from 30 Park Place, NYC), 2016

Museum board, MDF; 49x9x4.5 inches

Wall Relief no.2, 2016

Installation view at Hercules Gallery, NYC

plywood, acrylic paint, various dimensions, 19x19x5 inches each square

Wall Relief no.3, 2017

19 plywood panels painted white, 24x24inches each, 6 x 16 feet total.
Permanently installed at the Waldorf Astoria Hotel Beverly Hills, Los Angeles, CA.

No Title series, 2012

Installation view of Search Engine, group exhibition at CCA, Tel Aviv, curated by Sergio Edelsztein and Hila Cohen-Schniederman. Series of 8 inkjet prints on archival paper frames, various sizes

Broken Houses

Series of 56 inkjet prints. Installation view at Fresh Paint Contemporary Art Fair, Tel Aviv, 2011.

House No. 17 from the series Broken Houses

Inkjet prints on archival paper
15.7 x 18.1 inches/40cm x 46cm

House No. 52 from the series Broken Houses

Inkjet print on archival paper, 15.7 x 18.1 inches/40cm x 46cm

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